Construction Grade
Nadav Parazenchevski (FineArc)
Freestyle Lichtenberg figures on scavenged and upcycled wood in monochrome, inlaid with acrylic grout, finished in high gloss yacht varnish. One of a series of three. A naive, early and rare experiment attempting to economise on epoxy resin. I shan't repeat that experiment. Technically, it was truly a pain in the art (!) and an unjustified effort. Aesthetically, it feels worth sharing.
Nadav Parazenchevski (FineArc)
An autodidactic research artist developing a unique artistic medium based on the Lichtenberg Figures phenomena - fractal dielectric breaking of materials in high voltage current. In his work he turns electric resistance into a brush and creates a complex dialogue between the raw forces of nature and the human capacity to instill intention and meaning, a perception formed along a decade of experimentation and inspired by his experience in dog training and preschool education - to form a framework of boundaries allowing freedom within. The method's evolution focuses on the interactions between control and submission, wherein from year to year, he moves from enforcing his will on the material into listening to it, thus tempting them into forging images, textures and shapes involving scientific, natural and narrative contents, from the resolution of the sub atomic to the cognitive, using scavenged materials, while evolving the technique to a rich, high contrast and vibrant visual language Http://FineArt.Art
An autodidactic research artist developing a unique artistic medium based on the Lichtenberg Figures phenomena - fractal dielectric breaking of materials in high voltage current. In his work he turns electric resistance into a brush and creates a complex dialogue between the raw forces of nature and the human capacity to instill intention and meaning, a perception formed along a decade of experimentation and inspired by his experience in dog training and preschool education - to form a framework of boundaries allowing freedom within. The method's evolution focuses on the interactions between control and submission, wherein from year to year, he moves from enforcing his will on the material into listening to it, thus tempting them into forging images, textures and shapes involving scientific, natural and narrative contents, from the resolution of the sub atomic to the cognitive, using scavenged materials, while evolving the technique to a rich, high contrast and vibrant visual language Http://FineArt.Art
