עצירה על קו הים
צילום שחור-לבן בעל נוכחות חזקה, שלוכד רגע יומיומי בטיילת והופך אותו לסצנה כמעט קולנועית. המשחק בין הסילואט, ההשתקפות מהים והקצב שיוצרים האופניים מעניק לדימוי עומק ודרמה שקטה. העבודה מודפסת כפוטו על נייר ומשלבת מבט תיעודי עם תחושה אמנותית מהודקת.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
