Eyes wide shut
A powerful work exploring vision, consciousness, and presence. Four eyes emerge within an organic, almost cosmic field, anchored by a central burning eye in deep orange-brown tones — like an inner sun or an exposed emotional core. Streams of color flow downward in layered movement, creating a sense of energy, gravity, and release. Rich hues of red, turquoise, blue, and violet contrast with the darker lower section, adding depth and a feeling of vastness. The tension between the direct gaze of the eyes and the fluid, surrounding lines creates a dialogue between awareness and surrender, control and transformation. This piece commands attention in a modern, minimalist interior, or any space seeking a bold visual statement with emotional intensity and symbolic depth.
Rozi Vitebsky
Rozi Vitebsky is an architect and visual artist based in Haifa, following several years of living and working in Tel Aviv. Trained in architecture and urban planning, she works on complex planning and urban renewal projects alongside an active and ongoing painting practice. Her architectural background is clearly embedded in her work: grid-based compositions, repetitive tile patterns, checkerboard floors, and urban window frames create structured settings in which emotional narratives unfold. The recurring motif of the vase functions at times as a body or a charged vessel, almost anthropomorphic, positioned against bold decorative backdrops that heighten the tension between depth and flatness. Alongside structural precision and spatial awareness, her paintings reveal an intimate psychological layer: female figures in domestic interiors, direct gazes, and moments of vulnerability or inwardness. She lives with two cats, whose quiet presence subtly echoes in the domestic atmosphere of her work. For Rozi, painting is a space where identity, memory, and presence can be deconstructed and reassembled. Her works are presented on digital platforms and held in private collections.
Rozi Vitebsky is an architect and visual artist based in Haifa, following several years of living and working in Tel Aviv. Trained in architecture and urban planning, she works on complex planning and urban renewal projects alongside an active and ongoing painting practice. Her architectural background is clearly embedded in her work: grid-based compositions, repetitive tile patterns, checkerboard floors, and urban window frames create structured settings in which emotional narratives unfold. The recurring motif of the vase functions at times as a body or a charged vessel, almost anthropomorphic, positioned against bold decorative backdrops that heighten the tension between depth and flatness. Alongside structural precision and spatial awareness, her paintings reveal an intimate psychological layer: female figures in domestic interiors, direct gazes, and moments of vulnerability or inwardness. She lives with two cats, whose quiet presence subtly echoes in the domestic atmosphere of her work. For Rozi, painting is a space where identity, memory, and presence can be deconstructed and reassembled. Her works are presented on digital platforms and held in private collections.
