
Is it a butterfly?
Is It a Butterfly? captures the fragile moment between chaos and recognition. Layers of colors create an almost storm-like background, while vibrant splashes of turquoise, orange, green, and pink cut across the canvas with restless energy. At first glance, the composition feels abstract and untamed, yet gradually a butterfly-like form begins to emerge from the movement. The work explores the way the human mind searches for meaning, patterns, and beauty within disorder. It invites the viewer to question what they see: is it truly a butterfly, or simply the memory of one hidden within the turbulence of color and gesture?

Samantha Rubinsztejn
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters