The Third One
A contemporary Turquoise acrylic and mixed media composition on canvas, with origami elephants and collage. Noah saved them in pairs — because the plan was always to begin again. The storm has passed. The waters are still and there are three. The fragmented world above slowly gives way to stillness. The chaos behind them. The blue ahead. And three small elephants, crossing together into whatever comes next. This is what survival looks like. Not the end of the story — the very first page of the next one.
Samantha Rubinsztejn
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters
