Phobia Neon Green
Developed through a process of repetition and layered texture, this painting explores fear as both sensation and surface. The dense, rhythmic patterning subtly echoes reptile skin, referencing the artist’s confrontation with a reptile phobia without direct figuration. A strong taped vertical division interrupts the field, functioning as a deliberate boundary—an attempt to separate, contain, or distance the self from the source of fear. Through abstraction and process, the work transforms anxiety into structure, shifting phobia from an internal experience into a visible, controlled space.
Samantha Rubinsztejn
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters
I am a painter who explores the balance between geometry and instinct. My work places the line at the center of emotion and structure, inspired by primitive mark-making, Bauhaus and Art Deco, origami, musical rhythm, motifs of the sea and jungle, and mathematical forms. I work mainly in acrylic and black pen, and my work process can begin in different ways: from color combinations, shapes and lines, or from a specific idea that comes from everyday life. From the initial gesture, I build multi-layered compositions that seek a balance between control and spontaneity I often work in series, exploring themes and color combinations in depth. While my work is primarily abstract, I sometimes engage with representational or conceptual themes, including Tel Aviv, Da Vinci-inspired machines, and my “My Hidden Music Sheet” project. I have recently expanded my field of activity to graphic design, exploring patterns, visual narratives, and playful characters
